This is a question one would be hard-pressed to answer without having some knowledge of the history of traditional piano music. It is not surprising that a common theme of modern piano music, in which one character walks away to play a different piece, is the waltz or the waltz tune. Perhaps one reason why the classic example is also a good example. In the Renaissance, the waltz became a main focus for composers seeking to find a musical equivalent to the romantic themes or even the heroic theme. There were also composers who took up the waltz as a model of elegance (particularly in Vienna in the eighteenth century), but the waltz remained the most common source of melody for a long time. By the end of the nineteenth century it was well known that the waltz could be transformed into other forms. For example, early in the twentieth century German composer Karlheinz Stockhausen developed a unique waltz form incorporating a piano melody, which he called “the waltz”. When Stockhausen’s version of “Waltz of the Flowers” was performed in a series of concerts in Germany, it turned into a major phenomenon in the history of classical music.
In addition to the traditional forms, one frequently encounters forms outside of the traditional forms. While there are only a few examples of these, often they are presented in a style similar to those of the traditional composer. Thus, the Waddell Concerto is usually presented as an ensemble of the waltz and the string quartet as the string band. This approach can sometimes lead to a strange form that is sometimes also popular in the classical and jazz music. Examples include the waltz in Richard Strauss’s Symphonie Fantastique and in the popular ballad “The King of Sweden”.
What is the relation to other styles of piano music and its structures?
There has been a tendency since the advent of modern instruments to assign a specific name to any style of music that appears to be based on waltz or other forms that are familiar today. The waltz has been a common source of waltz-based compositional devices in popular music since the time of Mozart, beginning in the early 1800s. Indeed, Waltz has been the signature musical model in the popular music world from the end of the fourteenth century until the present day. Its history may well be the history of the musical instruments that produced it.
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