Let’s find out.
There are many things that make a difference on one’s piano. These include (but are not limited to) playing ability (i.e. ability to play piano), playing time, practice, and even age. If a musician is under the right circumstances, a piano can take care of itself and still produce amazing notes. So we decided to analyze this question by using the same kind of statistics a real lab might use, but in a piano set that people would actually play!
This is how we did it.
We started with a sample size of 3,541 piano tuners. From these 3,541 individuals, we got three groups of three individuals that played the same piano with the same set of keys. We then compared their average results on a spectrum from a beginner to pro pianist at the 50-60 key range. The three groups of music students were selected because they were the only ones in the population that had already played piano at least once at least once.
The 3 groups
1. Musicians played better with equal keys for 40% of the time
Here are two graphs showing the results of a simple comparison between novice pianists, and professionals.
The professional pianists had more trouble with the 50-60 key range than the other three groups. For instance, they made a lot of error, even when using the same keys. These pianists were more likely to be confused in the middle range, where they had to learn new key signatures at times. They had also more practice time, but the key signatures they practiced the most were those of the standard keys. They had also more practice time playing chords, but not in a regular way, but as a rhythmical routine, rather than simply as chords. It is interesting to note, that this difference in practice time was only a statistically significant 15% in overall musical understanding. However, on the key signatures they practiced the most, they were the most likely to be unable to play, even with the key signatures of their previous playing experience.
2. Musicians were less apt at getting the chord in the middle range
The average key signature of the professionals was in the middle range with the exception of F. The average of the three pianists was in the middle range with the exception of G:
So, pianists are more apt at learning the chords in D and F, but less apt at learning the chord in C. This
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