I really don’t think the answer is that many keys. Even though you can have keys to play with and keys to play without, it’s always going to be easier to just play with, which can be a big challenge for newcomers. The key that will probably be the most difficult, once you get it down, is trying to figure out where to start, which is why it’s nice to have someone teach you the way to play something.
For instance, if you have a bass player for your band, maybe she doesn’t know how to start picking on the keys, you can use the “starting keys” guide provided by the piano maker and she’ll be able to do that.
But if you have a keyboard player and you go out and play with her, it could be a huge challenge for her to learn how to use the key you taught her (and she doesn’t want to be that guy) and the same goes for her bandmate.
I know people who’ve tried this. They go out and play with someone and get the “key-learning blues.”
So, how do you get someone to learn to play something?
When it comes to learning a new instrument, it’s important to do one thing and do it well. You need to make it easy, easy to learn, but you also need to make sure that you’re teaching the skill.
There are a lot of people on my facebook page who say, “I already knew how to play this song and I can teach them to play it.”
But most of the time, people who tell you this are not going to get the most out of this.
If you want people who teach at your school to be able to take your class on time, when classes aren’t supposed to begin until the afternoon, you have to make sure they’re teaching skill, not just skill-building.
You’re not going to create their best learning experience if you’re just trying to teach them how to walk around, or how to hold a pen, etc. You have to build skills first.
The good news is that by making this simple, effective approach, you can get people to become great.
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(This article was first published on October 21, 2013. It was
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