The weight of the horse is dependent upon the size and muscle strength of the racehorse. Weight is a function of the horse’s weight at age, weight in pounds at maturity, the time taken for healing from surgery, and the health of the body during a race or competition.
Weight is also a function of the horse’s speed and the position and power of the horse. For example, large horses are better in a field in which they are not very fast and that they have little power, while smaller horses are better in a field in which they are fast, strong, and have more power. All these qualities combined create a high level of energy for the rider in each weight class, but at different rates.
Weight also depends on the age and muscle level of the horse. A horse that is older and stronger must use less muscle, while a younger horse with fewer muscle fibers must use more muscle. Horse weight can increase with age and type of competition.
Weight class has a higher level of stamina than other classes because of the greater need of stamina in a fast, high-stamina horse than in the slower but fewer muscle-efficient racehorses. However, horses with slower stamina run faster than racing horses with the right levels of stamina at that speed. In the past weight classes were usually divided by age classes, with the oldest horses being the best of the slowest-stamina, while the youngest horses were the best of the fastest-stamina.
How do weight classes work?
A weight class, which is a group of horses, has a weight rating by which each horse is judged. Weight class ratings are based on horse, size, health and other characteristics, such as ability for speed, power in the stallion or stallions, and the number of years they have been racing.
Why are weight ratings made?
Because there are many variables that make up a racing horse’s performance, there are ways to calculate weight ratings. A weight rating is one way. Another is to use the horse’s actual weight, not the weight the rider is looking for.
This week’s video: a quick recap for those of you who missed us last week!
Episode 40, part 2: Tommaso, the final part of a trilogy on the work of C.M. Poulter of “The Paris Review”; “The Paris Review’s” work on writing for the film medium, and what we can learn from it; the idea
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