This is a very tricky question. The history of the flapper is fascinating and fascinating literature. The best accounts, at least in terms of my opinion, deal with the fact that women like Fanny Alger, a flapper who was a very strong feminist, were more likely to become prostitutes when they reached the age of 25 or 30 than most men, and this led to them seeing themselves as women with an identity crisis. They were not trying to be men, but to fit in and become part of society. There are accounts from the 1920s and 1930s that discuss how some women took this on and made their own identity, and others did not want to change. These early accounts are very interesting, but they are very rare. The stories I’ve read, and the one from the 1920s was interesting but was not well-known, and it was not written about very often.
Another very strong feminist, Anna Maria Tremonti, is also a very interesting case. Anna Maria was a great actress, and a wonderful actress, and her life story is extraordinary to me because of the impact it had on the social and women’s movement. She was very interested in flapper women and women in dress and fashion and how they came to be flappers. But Anna Maria got very sick in London and was put in a coma or something that killed her. But the important thing here is that she was an actress, and she was very interested in women’s politics, so that really brought her attention to the issue. She wrote a wonderful book, The Politics of Fashion, based on observations in London during the first week of the flapper era. She became an authority on this issue and came up with a theory about women’s identity and then this theory was put forward in a wonderful book by Alice Miller. The book came out when the flapper era was already dead, so it was a very interesting event in the history of fashion.
You write about the first flapper as being a woman of privilege.
Well, that has been one of the points in my reading of the flapper period — when they came at the age of 25 or 30, but in the 1920s when they were a really significant age. They were not just flappers, they were the face of the movement, and they were getting recognition. So the flapper period wasn’t so much about women’s liberation. That was really a way of saying, “We’re going to change our situation now and do something big.” The
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