B: My inspiration comes from the way all cars are built. I find all cars to look aesthetically fascinating. They’re so different and yet they’re essentially the same.
A: I feel there has to be a balance in the car and in the aesthetic of those vehicles.
B: There’s so many different elements that make up a car, from the exterior and the interior, to the exterior mirror finishes, to the engine exhaust. I’ve looked into several different cars in a variety of ways for a Lamborghini.
B: The car that inspired me was a white Lamborghini Gallardo, which I would like to think is a beautiful and sexy car. I think it has these amazing angles and it looks really elegant, a classic car design. But a bit of a bummer with it because it’s got this strange shape. So every time I tried to find a way to make it into a Lamborghini I just couldn’t.
A: There’s an element of the Lamborghini that I find very beautiful, a sleek, modern design. But I don’t think I would like to drive this thing every day; I mean, it’s such an extreme car, I haven’t driven it many times myself, but I think people get it very strongly.
B: I’ve also looked at Ferraris and [Audi’s] A4. They have an element of class, but they also have a certain feel.
Q: With all the modern tech, does the Lamborghini still have class?
C: No, it’s so far down it’s been completely wiped out of its class. I don’t know what to call the modern Lamborghini-type cars at this point. At the time of the new car, there was a lot of excitement about this concept, so it was an instant hit for everybody except me!
Q: Was what happened on the Lamborghini a surprise to you?
A: No! I’d been reading about it all my life, watching everything that was being done on it so I knew it was coming. But you can say what you want about me, but I was very, very surprised.
A: I don’t think I’ve met a Lamborghini that I didn’t like, but as with any kind of car that I find to be visually and aesthetically fascinating, it makes me sad, not because of the project, which was very exciting and
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