A real bunny. You do it in Photoshop or Inkscape or Vue or anything else, but you draw a real bunny. That’s what you draw. And, so, with the Bunnies in Photoshop, how can we make them look like a real bunny?
Now, I can’t explain what we’ve done, because you just won’t believe how much we cut off and how that’s what a real bunny would look like. (Laughs.) Because it’s just so different. You can’t even imagine a real bunny. So, no, it’s just all fake bunny, you know? And all the kids have had their heads cut off!
And you have to draw a whole lot in, because I can’t tell you what a real rabbit looks like. I don’t know, there’s still a lot of work in there. That’s what’s been fun to me. And it’s also been a lot of fun for them on a creative level, because the process of making this film, I know how much, in the beginning, it was a lot of fun to just kind of build a movie that, even from a marketing perspective, you know, there was something new in the movie. You know, just kind of creating in it. But now we’re like, oh, we don’t really have a lot of marketing, and it’s just not happening. So, I think we have had to push the envelope, and so now it’s even more a challenge for us, because there’s no room for a real creature in the movie and we always end up with some sort of Frankenstein type thing.
It’s just that one creature in the movie that comes out in its whole world, and that is kind of scary.
KP: We’re trying to pull the other two creatures together.
MS: And you know, you know, we have to find a compromise, which we try to end up with, and we just have to figure it out on the fly with this part. It’s just a lot of balancing work. But the whole thing really started with this little baby bunny that we were trying to figure out how to get in the movie and put in the movie with a baby in it, and kind of get us all at loggerheads. (Laughs.) In a weird sort of weird way, that was kind of how we ended up making the movie. And that’s what a real bunny looks like.
But again, we’re always
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